![]() There is also a Keys mode, which shows each of the 24 options with vertical bars showing the probability, although this is arguably less useful as it’s already presented at the top.įinally, you have three buttons at the bottom to choose whether you want the keys listed in the Camelot format, or more traditional sharp or flat scales. Sometimes, you’ll get two possibles, but generally the percentage will always favour one over the other. ![]() Once the audio has been analysed for a while, the plug-inl presents a root major or minor key at the top with a percentage to show how confident it is in the result. This is a fairly rare occurrence, though. Most of the time this works well, although certain sounds with strong harmonics can throw things off a little.Īs an example, I test a bright piano sound playing a low G, and although a G is listed, the overtones suggest a D is slightly more prominent. The higher the bar, the stronger the note. For the most part, you’ll probably be using Notes mode, which shows the 12 notes with vertical bars depicting how present each note is in the audio. "Mixed In Key Live delivers accurate and impressive key detection, instantly, through drag and dropping anything from one shot samples to whole songs.It’s straightforward to set things in motion by hitting the Capture button, then you can stop the analyser by hitting Pause, or reset by hitting Clear. MusicRadar verdict: Mixed in Key Live is an uncomplicated studio asset, particularly for those who need a hand with theory. While programs such as this continue to prove that deep theoretical insight isn’t a prerequisite for musical creativity, it does remind us of how little we actually know! ![]() ![]() So too is its application as a sample analyser, reducing incalculable amounts of time. Though Mixed in Key Live is a small and relatively simple piece of software, the speed and precision of its theory-snapping algorithm is a bewilderingly huge asset that we never quite realised we needed. So, if you’re sitting on a mountain of disorganised samples, here’s a handy route back to some key and BPM-stacked unity. The second pillar of Mixed in Key Live is its eagerness to sift through your files too, dragging and dropping your sample and loop files into its File Analysis area results in a quickfire scan (which you can see the swift progress of). Testing it in Spotify confirms that key detection is instantaneous, having no trouble unpacking hard musical material, be it the twinkly pulse of Jon Hopkins or sludgy metal of Deftones. Its algorithms are adept at working in those ecosystems though. While Mixed in Key’s promotion incorporates logos of several platforms, like Spotify, YouTube, Ableton Live and Logic Pro X, in actuality it scans any and all system audio currently playing on a host Mac. Expanding it out presents a graphic note visualiser, where we can see every single note within a chord or a track, and that note’s relative dominance next to the other. Using it while working on a sprawling Logic track, which has been badly re-pitched at a much earlier point in its life, Mixed in Key Live tells us what bizarre key we’re now living in.įrom its initial position on the top Mac menu bar, the tiny application can be floated unobtrusively over currently open music software or DAW. It’s an aim we can get on board with, and one which the software promptly succeeds at. For even greater music theory analysis, this has yet to be topped.Īble to discern the same information with a much more dominant UI.ĭeveloped alongside acclaimed multi-skilled DJ and producer Kshmr, the very aim of Mixed in Key Live is to save time, and let its under-the-hood do the hard musical decoding while your focus remains on creating.
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